These are brief historic notes on Edinburgh Fringe shows from 2024. For current shows go to Edinburgh Fringe Reviews
| Rating | Show Details | Review |
|---|---|---|
|
Excellent
|
The Sound Inside |
Excellent play / two person storytelling and new writing. The interaction s of a older female professor and a new rebel student quite unlike the others in class. The overall theme plays with the mix of the intellectual, spiritual, personal and physical, entwining and unpicking one with each other over the course of the show. Excellent tension held through the show. The is a Literature/writing theme that also contrasts the differences in attitude that age brings. I was gripped throughout. |
|
Excellent
|
Do This One Thing for Me |
Excellent. Another Holocaust-related play. But focused on a woman’s relationship with her father and her father’s stories. One person. Very well done. |
|
Excellent
|
Singing Sands |
Very good play about family loss - funny and endearing. |
|
Very Good
|
Sell me: I am from North Korea |
very fringe. Thought provoking storytelling. A little linear, but will definitely be one of the better things I see this year. Storyteller clearly very emotionally involved with the story. |
|
Very Good
|
The Bookies |
Very funny play in a bookmakers with entwined dynamics of 4 players; I really liked it - it was very clever wit. It got completely ridiculous at the end, buy hey - I hope no one was taking anything too seriously by then anyway. |
|
Very Good
|
Scaffolding |
Interesting portrayal of the challenges of single handedly caring for significantly disabled child, through a discussion with God/audience. |
|
Very Good
|
Girlhood |
Three generations (okay, that is a spoiler but it is so obvious, you would have worked it out) discussing different attitudes of women to children. A standard play formula of intertwined interaction, but well written and performed well by a fairly young cast in a solid performance. |
|
Good
|
Dissociation |
Interesting, different, but just a little bit too disconnected to be in the best show category. |
|
Good
|
Dara O’Brien |
Good reliable comedy. Dara meets his birth family... |
|
Good
|
William Jack |
A free cello concert in the cathedral. Fun show. Playing the cello as a guitar was a bit of a gimmick, but it made for a perfect fringe photo moment, so I instantly forgave him. |
|
Fair
|
Life |
Interesting play, set in an art show and slightly macabre. |
|
Fair
|
Living Stone |
Interesting. A little random and new agey. Could have been excellent, but it needed quite a bit more focus, and distilling to the good bits. |
|
Fair
|
Reginal D Hunter: Fluffy Fluffy Beaver |
Was his usual good self. As he predicts in the show, he will be cancelled and deplatformed. Should he be? Well you can guess what I think. |
|
Fair
|
An Act of Grace |
Good, but nothing special. Interesting idea, but a bit too much padding to keep the audience on their toes. |
|
Fair
|
Yes-Ya-Yebo! |
Young troupe from South Africa exploring, slightly haphazardly, songs and dance from various regions and languages of SA. I don't know enough to know if they were representative, but at a guess they were probably reasonable but not the best at the dances. Everyone had fun though. |
|
Okay
|
Mythos: Ragnarok |
WWF wrestling, but with a paper-thin wrapping of Norse myth. I'd hoped for more seamless integration of Ragnarok themes and the wrestling, but why I hoped for that I now have no idea - I had no reason to. This show does what it says on the tin. |
|
Okay
|
Casting the Runes |
Fair amateur acting and interesting props. But a bit slow for me, so got me a bit bored. The lack of storytelling compared with e,g, the seminal theatre ghost play, Woman in Black, that meant it didn't quite make the mark. |
|
Okay
|
Ghost Light: Between Fall and Light |
All filler and atmosphere and 5 mins of content. Capable acrobatics but no variety and pretty dull. |
|
Okay
|
Aidan Jones Pianoforte |
Talked through the formation of a Chopin Nocturne, building analogies to what the piece was saying while trying to be and occasionally being funny. Interesting idea. Execution a little hit and miss. Basically Aidan is not an ace comedian and not great concert pianist. But he targets a show at the intersection and partially succeeds. |
|
Poor
|
John Robertson: The Human Hurricane |
Take John Robertson out of his Dark Room constraints and he is all over the place, bouncing off walls and topics like silly putty. Honestly, nothing good can come of it. And it didn't. But people will come flocking back just to be abused. And again. You too? Perhaps. |
|
Poor
|
Caledonia |
Okay. Others wont feel the same. But for me it had the feel of a music performance for visitors to the House of Bruar. Or what you'd expect on a cruise ship maybe. I think this one is for the tourists. Just not for me. |
|
Bad
|
Plotters |
Bad acting for a play, not funny for a comedy. Worst show this year. Enough said. |
The most recent reviews will always be on https://amosdoesfestivals.com/. For all reviews from current and previous years, see
Fringe 2026,
Fringe 2025,
Fringe 2024,
Fringe 2023.